Sous l'Eau Tout Devient Bleu
sculptural installation, 2018
This installation is a reflexion around the possibility of making a film, without actually making one. A scenario, translated into a plastique work, becomes, through miniature models and paintings, the ghost of a film. The installation offers to see parts of the text with visual pieces. The viewer is swung between the feeling of not being able to see the film itself because it doesn’t exist as a film, and the possibility to experience a different temporality of it, developed between reality and fiction through the promise of a film which will never exist.